Creative Perspectives on Sound
Theory, Performance, and Technology
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Beschreibung
This book offers an innovative exploration of creativity across music, performance, and digital arts, bridging tradition with technology and cultural theory. It approaches the subject through interdisciplinary lenses—combining music analysis, feminist critique, computational creativity, and cultural identity studies—to reveal how artistic practices evolve in response to global and technological shifts. What sets this book apart is its integration of diverse methodologies: from teleological analysis of post-tonal composition and feminist interpretation in Chinese opera, to digital fabrication of folk instruments and AI-driven animation design. These chapters collectively demonstrate how traditional aesthetics negotiate with modernity, and how technology can preserve, transform, and project cultural narratives. The scope spans musicology, performance studies, digital media, and cultural theory, making it ideal for scholars, educators, and advanced students in the arts and humanities. Readers gain insights into cross-cultural synthesis, algorithmic creativity, and the structural dynamics of contemporary composition.
This book offers an innovative exploration of creativity across music, performance, and digital arts, bridging tradition with technology and cultural theory. It approaches the subject through interdisciplinary lenses—combining music analysis, feminist critique, computational creativity, and cultural identity studies—to reveal how artistic practices evolve in response to global and technological shifts. What sets this book apart is its integration of diverse methodologies: from teleological analysis of post-tonal composition and feminist interpretation in Chinese opera, to digital fabrication of folk instruments and AI-driven animation design. These chapters collectively demonstrate how traditional aesthetics negotiate with modernity, and how technology can preserve, transform, and project cultural narratives. The scope spans musicology, performance studies, digital media, and cultural theory, making it ideal for scholars, educators, and advanced students in the arts and humanities. Readers gain insights into cross-cultural synthesis, algorithmic creativity, and the structural dynamics of contemporary composition.
Explores digital fabrication of traditional instruments, rarely addressed in music education and cultural studies Offers original frameworks for teleological analysis and cross-cultural synthesis in contemporary music Integrates music analysis, feminist theory, and computational creativity in a single interdisciplinary volume
Autor*in
Mohd Fairuz Zamani
Themen in »Creative Perspectives on Sound«
Digital fabrication of musical instruments Feminist interpretation in Chinese opera Teleological analysis in post-tonal composition Computational creativity in animation design Traditional Samogitian folk scales Polydiatonic and polytonal harmonic structures Defamiliarisation in screendance and cinematography Gender performativity in music composition Hybrid cultural identity in digital media arts Cross-cultural music analysis