Eating Disorders and Child Sexual Abuse

Beschreibung

‘The architectural design of the thinking that underpins this exploration of the relationship between child sexual abuse and eating disorders is superb. Hodge draws on Bakhtin, feminist dialogics and the creative arts to produce an imaginative analysis of women’s experiences and accordingly offers a convincing and novel contribution to the field. Undoubtedly this is a methodological masterpiece and a great leap for social work research!’—Professor Charlotte Williams OBE, RMIT University, Australia
‘A very well researched and timely book, published when the “me too movement” has brought hidden stories of sexual abuse out of the shadows into public awareness. It should become required reading for training courses for professionals to work directly with women who present with this history. The book clearly portrays the essential principles and strengths of its qualitative methodology, pivoting as it does on phenomenological consciousness, emphasising that the book is about the lived experience of the women themselves. It is their story, about their food related behaviour, which is examined as psychological consequence of sexual abuse, rather than adopting the generic “eating disorders” approach. This gives a powerful account.’—Dr Maye Taylor, Psychotherapist and previously the MSc Academic Course Leader, Manchester Metropolitan University, United Kingdom         ‘This vitally important book privileges women’s voices in how they make sense of their own experiences of the connections between “eating disorders” and child sexual abuse, elucidating how women with eating disorders often use their bodies as a form of resistance to express silenced traumas. The book is mandatory reading for anyone who seeks to move beyond the pathologising understandings that currently dominate the field. The depth of critical analysis offered by Lisa Hodge delivers gold star scholarshipthat points to innovative and creative ways to understand and respond to this important social issue.’—Professor Christine Morley, Queensland University of Technology, Australia
This book takes up the challenge of examining women’s understandings of eating disorders and child sexual abuse away from a framework focused on pathology. The central argument is that women’s distress is an enactment of their engagement with certain discourses and practices, rather than a reaction triggered by child sexual abuse. Guided by a contemporary feminist framework and Mikhail Bakhtin’s sociological linguistics, to substantiate the argument, women’s own poetry and drawings are used as evidence to develop, support and supplement research findings. The book establishes that an eating disorder is ‘an understandable response’ to sexual trauma and shifts the focus away from ‘a damaged personality’. Even more importantly, it demonstrates that women with eating disorders are using their bodies as a form of resistance to express silenced traumas that remain in the silenced female body. This is an active way of making sense of experiences of child sexual abuse.
Situated in social work, complemented by gender studies, cultural studies, psychology and sociology, this multidisciplinary text draws on a bedrock of theory, ranging from sociology of the body, socio-cultural theory, and humanities, and is situated under the banners of post-structuralism and feminism Poems, as examples of creative writing, and visual images in the form of drawings, comprise a unique and powerful core of the data presented Challenges common explanations for eating disorders as a reaction to dominant explanations of beauty

Autor*in

Lisa Hodge

Themen in »Eating Disorders and Child Sexual Abuse«

eating disorders self-harm child sexual abuse sexual trauma visual research methodology qualitative research Bakhtin dialogic theory

Stimmen zu »Eating Disorders and Child Sexual Abuse«

“The architectural design of the thinking that underpins this exploration of the relationship between child sexual abuse and eating disorders is superb. Hodge draws on Bakhtin, feminist dialogics and the creative arts to produce an imaginative analysis of women’s experiences and accordingly offers a convincing and novel contribution to the field. Undoubtedly this is a methodological masterpiece and a great leap for social work research!” (Professor Charlotte Williams OBE, RMIT University, Melbourne, Australia)

“A very well researched and timely book, published when the ‘me too movement’ has brought hidden stories of sexual abuse out of the shadows into public awareness. It should become required reading for training courses for professionals to work directly with women who present with this history. The book clearly portrays the essential principles and strengths of its qualitative methodology, pivoting as it does on phenomenological consciousness, emphasising that the bookis about the lived experience of the women themselves. It is their story, about their food related behaviour, which is examined as psychological consequence of sexual abuse, rather than adopting the generic ‘eating disorders’ approach. This gives a powerful account.” (Maye Taylor, BA, MSc, Med, PhD, AFBPsS, UK)

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