Glückliche Tage
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Beschreibung
We see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue—a metaphor for the human condition materialized in paper—one overhears this serenely melancholy echo of the works.
Zwischen Wonne und Verderben: „Glückliche Tage“ reflektiert über unser Leben als ewiges Auf und Ab.
Between bliss and perdition: “Glückliche Tage” reflects on our life as a perpetual ebb and flow.
Autor*in
Markus Heinzelmann
Themen in »Glückliche Tage«
Glückliche Tage Markus Heinzelmann DCV Dr. Cantz'sche Verlagsgesellschaft Yevgenia Belorusets Nell Sophie Bender Elias Bendfeldt Laura Berestecki Annabella Ernst Annika Gaeth Hristina Georgieva Markus Heinzelmann Malwin Kraßnigg Max Florian Kühlem Natascha Laurier