War in Film
Semiotics and Conflict Related Sign Constructions on the Screen
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Beschreibung
The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.
Autor*in
Frank Jacob
Frank Jacob is Professor of Global History at Nord Universitet, Norway. He is author or editor of more than 70 books and his fields of research include modern German and Japanese History, Military History, and the comparative history of revolutions.
Themen in »War in Film«
popular culture war images in film film aesthetics Alain Delon semiotics of war Kriegsfilm Dunkirk (2017) Fernando Frías Clemens von Wedemeyer 1860 (1934) Omer Fast orientalist semiotics Christopher Nolan Steve McQueen Alessandro Blasetti