To commemorate the bicentenary of Antonio Canova’s birth, the
Venetian authorities decided to have an extension added to the
original museum, and they commissioned Carlo Scarpa for this
delicate task. Scarpa composed a small, but highly articulated
building that is in a strong contrast to the neo-Classical basilica.
The subtly designed sequence of spaces is unique even among
Scarpa’s so many extraordinary museum interiors as the architect
was here in the rare position to compose the spaces as well as
the placings of the exhibits.
Frank Gehry’s Guggenheim Museum in Bilbao is perhaps the
most spectacular building of recent years. The building raised high
expectations from the outset, as the central element in Bilbao’s
comprehensive urban renewal programme. Its site between river,
railway, bridge and new town makes it a symbol of the Basque
metropolis that can be seen from a considerable distance. It is
both the heart of the city and a testbed for the arts, representing
both public presence and artistic change.
The Museum of Fine Arts, Houston, is a unique collection of architectural
works – among them the Caroline Wiess Law Building,
comprising the original William Ward Watkin Building of 1924 and
the 1958 and 1974 additions designed by Ludwig Mies van der
Rohe, the Lillie and Hugh Roy Cullen Sculpture Garden created by
Isamu Noguchi in 1986 – and now the Audrey Jones Beck Building
by Rafael Moneo. Moneo has proposed a four-story facility
directly facing the Law Building and connected to it via an underground
walkway. The limestone building occupies the whole site,
thereby reinforcing its urban character.
Heinz Tesar’s buildings occupy a very particular place on the
Austrian architectural scene. There is a creative imagination at
work here, which always operates outside the scope of modern
routine. The town of Klosterneuburg has become something like
an artistic home for Tesar. The Schömerhaus, an office building
whose huge oval central hall leaves convention far behind, and the
Protestant church, which has a rounded floor plan like a tear-drop,
were now followed by the impressive museum he has built here to
house 4000 objects from the Essl collection, which includes the
most important collection of Austrian art after 1945.