Breaking with the lure of timelines, final cuts and authorial control
Software-based technologies deeply saturate our everyday lives. Consequently, they also influence the ways we see and mediate the world. In fact, the ease and flexibility software provides implies a shift in control. Digital media mediates itself, turning software into a co-author. Yet, the potentials of such a co-authorship are still largely constrained by conventions stemming from the need to run strips of celluloid through a projector. This book demonstrates how software can retrain filmmakers’ visions of the world – from branching trees to the shifting contours of clouds. It does so by ethnographically studying one particular technology, the Korsakow System. The result is a methodology for interrogating established software regimes; a task increasingly in need of anthropological attention.
Franziska Weidle
Dr Franziska Weidle holds a PhD in visual anthropology. Her academic and creative work focuses on digital knowledge practices including documentary, serious games and instructional design.
visual anthropology digital anthropology software studies documentary interactive documentary skilled visions non-representational theory digital materiality science and technology studies ethnographic filmmaking