Campus Medius: Digital Mapping in Cultural and Media Studies
Buch in deiner Nähe kaufen
Beschreibung
The mapping platform Campus Medius explores and expands the possibilities of digital cartography in cultural and media studies.
Campus Medius explores and expands the possibilities of digital cartography in cultural and media studies. Simon Ganahl documents the development of the project from a historical case study to a mapping platform. Based on the question of what a media experience is, the concepts of the apparatus (dispositif) and the actor-network are translated into a data model. A time-space of twenty-four hours in Vienna in May 1933, marked by a so-called »Turks Deliverance Celebration« (Türkenbefreiungsfeier), serves as an empirical laboratory. This Austrofascist rally is mapped from multiple perspectives and woven into media-historical networks, spanning from the seventeenth century up to the present day.
Autor*in
Simon Ganahl
Simon Ganahl (Mag. DDr. phil.), geb. 1981, forscht und lehrt als Literatur- und Medienwissenschaftler mit einem Fokus auf Digital Humanities an der Universität Wien. Er leitet das digitale Mapping-Projekt Campus Medius und gibt die referierte Open-Access-Zeitschrift Genealogy+Critique heraus. Nach Studien in Wien, Hamburg und Zürich promovierte er sowohl in Kommunikationswissenschaft als auch in Deutscher Philologie an der Universität Wien. Er war Gastforscher an der School of Media Studies der New School in New York und Gastdozent am Center for Digital Humanities der UCLA. Seine Forschungsarbeit wurde mehrfach ausgezeichnet, u.a. mit dem APART-Stipendium der Österreichischen Akademie der Wissenschaften und dem Schrödinger-Stipendium des österreichischen Wissenschaftsfonds (FWF).
Themen in »Campus Medius: Digital Mapping in Cultural and Media Studies«
Digital Mapping Digital Mapping Cartography Cartography Mediality Mediality Media Experience Media Experience Vienna Vienna 1933 1933 Austrofascism Austrofascism Turks Deliverance Celebration
Stimmen zu »Campus Medius: Digital Mapping in Cultural and Media Studies«
»Precisely because it is so difficult to reconstruct and present the most diverse facets of an issue in their interactions at the same time, one of the undeniable merits of this approach is to concede the historical subject its multidimensionality, not to reduce it to one-dimensional perspectives. [...] Undoubtedly, the project points the way that will (also) have to be taken in the new historiographical age. [...] Formally, it remains to be noted that the text is formulated in a markedly comprehensible manner, despite the sometimes quite complex subject matter, radiating high professional competence and linguistic mastery.«
()
»›Campus Medius‹ takes a scholarly, sophisticated, and highly innovative step in pushing German(-language) digital humanities forward, with its intriguing insights spanning German and Austrian Studies, Media Studies, and cultural history more broadly - while exploring the rich intersections between and among all four of those fields.«
()
Audio: »An attempt to advance the publication system in the humanities« – Simon Ganahl in the Research Library Podcast from April 4, 2022.
()
Besprochen in:Interview with the author on Ö1, Salzburger Nachtstudio, 21.09.2022
()
»The reader or user encounters a fascinating panorama of Austrian cultural history between the wars.›Campus Medius‹ offers a stimulating new approach to Austrian Studies and a very high level of fruitful theoretical insights and reflection. The project demonstrates the great potential of independent digital research in the humanities: We need more of this.«
()
»Simon Ganahl achieves a great feat: one not only reads about the phenomenon of medial experiences, but also experiences them first-hand, including all the differentiations. This makes an immersion in Campus Medius a gain not only from a scientific but also a personal perspective and should be imitated many times over.«
()
»Simon Ganahl achieves a great feat: one not only reads about the phenomenon of medial experiences, but also experiences them first-hand, including all the differentiations. This makes an immersion in Campus Medius a gain not only from a scientific but also a personal perspective and should be imitated many times over.«
()
»Precisely because it is so difficult to reconstruct and present the most diverse facets of an issue in their interactions at the same time, one of the undeniable merits of this approach is to concede the historical subject its multidimensionality, not to reduce it to one-dimensional perspectives. [...] Undoubtedly, the project points the way that will (also) have to be taken in the new historiographical age. [...] Formally, it remains to be noted that the text is formulated in a markedly comprehensible manner, despite the sometimes quite complex subject matter, radiating high professional competence and linguistic mastery.«
()
»The reader or user encounters a fascinating panorama of Austrian cultural history between the wars.›Campus Medius‹ offers a stimulating new approach to Austrian Studies and a very high level of fruitful theoretical insights and reflection. The project demonstrates the great potential of independent digital research in the humanities: We need more of this.«
()
Audio: »An attempt to advance the publication system in the humanities« – Simon Ganahl in the Research Library Podcast from April 4, 2022.
()
Reviewed in:Interview with the author on Ö1, Salzburger Nachtstudio, 21.09.2022
()
»›Campus Medius‹ takes a scholarly, sophisticated, and highly innovative step in pushing German(-language) digital humanities forward, with its intriguing insights spanning German and Austrian Studies, Media Studies, and cultural history more broadly-while exploring the rich intersections between and among all four of those fields.«
()