The Patti Smith Band, The Slits, The Pretenders, Sonic Youth, The Fall, Throbbing Gristle, Sleater-Kinney set the bar for women in Punk. Their memoirs show us why.
Poets, Guitarists, Songwriters, TV Stars, Provocateurs, Riot Grrrl founders: the authors in this study challenge perceptions of punk music and politics. Viv Albertine, Alice Bag, Pauline Black, Carrie Brownstein, Kim Gordon, Nina Hagen, Chrissie Hynde, Patti Smith, Brix Smith Start, and Cosey Fanni Tutti have been breaking new ground in writing about their lives. They fill gaps in the historical record, back catalogues and perceptions of how music works as politics. They provide fans and music scholars with a corrective to androcentric studies of punk as a DIY politics of resistance to the mainstream. M.I. Franklin shows how they do this, along with ways to hear the personal and world politics inherent in their musical output.
M.I. Franklin
Punk Music Punk Music Riot Grrrls Riot Grrrls Performance Art Performance Art Popular Culture Popular Culture World Politics World Politics Music Music Gender Gender Pop Music
Besprochen inOx Fanzine, 175 (2024), Roman Eisner
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»Spannend und lehrreich.«
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»Eine empfehlenswerte Veröffentlichung, die einen wichtigen Teil der Punkgeschichte beleuchtet.«
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»A highly recommended publication that sheds light on an important part of punk history.« (translated from German)
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»Exciting and informative.« (translated from German)
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Besprochen in:
Ox Fanzine, 175 (2024), Roman Eisner
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