The first monograph on the artistic group Collective Actions, which has significantly influenced and formed the Russian branch of Conceptual Art, provides a ground-breaking analysis of their notion of 'Empty Action' in terms of 'art after work'.
Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.
Marina Gerber
Marina Gerber (Dr.) has taught at Queen Mary University of London, Berlin University of the Arts and Kunstakademie Düsseldorf. Her research interests include modern and contemporary art and its relation to labour, free time and knowledge.
Moscow Conceptualism Moscow Conceptualism Performance Art Performance Art Russia Russia Labour and Work Labour and Work Free Time Free Time Art Art Cultural History Cultural History Music