Often cited, rarely explained, never applied ‒ Arendt’s ›space of appearance‹ reinterpreted as a framework for the humanities.
Present whenever people act together and yet never seen for what they do, spaces of appearance come in many guises: a car crash in Vienna, a discussion forum in Dresden, a baker’s queue in Paris, an art festival in Shiraz, an unbuilt house in Istanbul, a law court in Berlin, a photograph from Arkansas. Taking their cue from Hannah Arendt’s famous concept, the case studies in this volume, written in close collaboration, examine how the perceptive standards of a given political situation may subtly change or consolidate. Supported by a wealth of images, this volume demonstrates how the concept can be activated for innovative research ‒ especially in cases where an understanding of aesthetics and politics needs to go beyond their analogization.
Featuring an essay by Susan Buck-Morss.
Martin Renz
Aesthetics Politics Appearance Hannah Arendt
»Democratic politics, so it is often hoped, will be a ›space of reasons,‹ where the better argument wins out. At the same time, as Hannah Arendt famously argued, it is also a ›space of appearances.‹ This scintillating collection of essays shows that the latter is a dynamic chiaroscuro of light and dark, surface and depth, transparency and opacity, where as much is hidden as revealed.«
()
»Ce livre surprendra tant par son propos que par sa méthode. Il affronte une question non résolue et plus que jamais insistante: comment prenons-nous conscience de l’histoire dans laquelle nous sommes trop directement plongés pour ne pas osciller entre la dénégation et la dramatisation? La diversité des articles en même temps qu’un hommage à la lucidité d’Hannah Arendt sont une pierre de touche quant à la pertinence de cette approche. Le faire voir propre à l’art, particulièrement dans ses impacts et techniques récentes, apporte à ce projet ces éclats d’actualité qui convainquent.«
()
»Illuminating Arendt’s spaces of appearance in their aesthetic guise, this essay collection opens a novel, exciting perspective on how we speak and act together politically. I recommend this volume in particular because of the vast variety of voices it assembles and the plurality of aesthetic experiences it brings to shine.«
()