This book examines the uptake of hip hop in late socialist Vietnam and youth' s aspirations and desires embodied in dance.
Breaking, popping, locking, waacking, and hip-hop dance are practiced widely in contemporary Vietnam. Considering the dance practices in the larger context of post-socialist transformation, urban restructuring, and changing gender relations, Sandra Kurfürst examines youth's aspirations and desires embodied in dance. Drawing on a rich and diverse range of qualitative data, including interviews, sensory and digital ethnography, she shows how dancers confront social and gender norms while following their passion. As a contribution to area and global studies, the book illuminates the translocal spatialities of hip hop, produced through the circulation of objects and the movement of people.
Sandra Kurfürst
Sandra Kurfürst is a professor at the Global South Studies Center, University of Cologne. Trained in Southeast Asian Studies and sociology, she received her PhD from the University of Passau. She has conducted extensive field research in Vietnam, particularly Hanoi. Her research focuses on urbanism, gender, media, and communication.
Dance Dance Youth Youth Vietnam Vietnam Gender Gender Hip Hop Hip Hop Southeast Asia Southeast Asia Urban Culture Urban Culture Post-Socialist