Faking, Forging, Counterfeiting
Discredited Practices at the Margins of Mimesis
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Beschreibung
Forgeries are an omnipresent part of our culture. The contributions focus on such different implementations such as faked traditions, imposters, identity theft and hoaxes in different contexts. They scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability.
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices – creative acts in themselves – rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
Autor*in
Daniel Becker
Themen in »Faking, Forging, Counterfeiting«
Forgery Forgery Culture Culture Cultural Transfer Cultural Transfer Translation Translation Imitation Imitation Original Original Copy Copy Aesthetic Practice