The focus of this book is the art of drypoint, an intaglio technique long overshadowed in European printmaking history. Focusing on the 1840s–1890s – the period when drypoint gained unprecedented popularity and became a common medium – it reveals why artists such as Charles-Émile Jacque, James McNeill Whistler, James Tissot, Mary Cassatt, and Auguste Rodin embraced it. Using a novel methodology that treats technique as an agent of meaning and not merely a tool, the author reconstructs creative choices, aesthetic agendas, and professional strategies. Featuring detailed case studies, the book revives neglected masters, traces overlooked narratives, and demonstrates drypoint’s unique expressive power.
Anastasia Belyaeva
Printmaking Estampe Gravure Mary Cassatt James Tissot Etching Impressionism James McNeill Whistler Auguste Rodin Charles-Émile Jacque