First comprehensive monograph on Kristina Buch, spanning 2006–2024.
Includes major texts and conversations with leading curators and critics.
Presents an interdisciplinary art practice at the intersection of science, theology, and imagination.
Kristina Buch has developed an internationally recognized, poetic body of work over almost two decades, spanning sculpture, installation, ephemeral “life gestures,” wooden intarsia, woven works, drawing, painting, printmaking, photography, video, and writing. Trained in biology and fine art, and having also studied theology, she graduated as Meisterschülerin under Rosemarie Trockel at the Kunstakademie Düsseldorf. Her practice unfolds in the in-betweenness where disciplines, species, and worldviews meet. From large-scale installations to intimate gestures and hybrids, her art reconfigures horizons of attention and imagination. This volume offers the first overview, with texts by Chus Martínez, Aimee Walleston, Ben Quash, a conversation with Carolyn Christov-Bakargiev, and writings by the artist.
First comprehensive monograph on Kristina Buch, spanning 2006–2024.
Includes major texts and conversations with leading curators and critics.
Presents an interdisciplinary art practice at the intersection of science, theology, and imagination.
First comprehensive monograph on Kristina Buch, spanning 2006–2024.
Includes major texts and conversations with leading curators and critics.
Presents an interdisciplinary art practice at the intersection of science, theology, and imagination.
Chus Martínez
Installationen Skulptur installation art Drawing Painting Malerei Rosemarie Trockel student Chus Martínez essay Carolyn Christov-Bakargiev conversation Art and Science Theology biology and art theology and art contemporary women artists installation art monograph