Mire Lee’s large-scale installations are often composed of leaking mechanisms and quasi-organic structures that appear to drip and decay. Deliberately broken motorised elements seem to strain under their own operation, resisting the seamless efficiency associated with contemporary technological aesthetics.
Artistic intervention: The image on the cover is scratched onto the printing plates prior to printing.
Ed.: Secession Wien. Text: Gemma Barricarte / Mire Lee (Gespräch/conversation)
Mire Lee
Mire Lee zeitgenössische Kunst Secession, Wien Installationskunst Technologieästhetik