The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard
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Beschreibung
The book discusses the political dramas of Samuel Beckett, Harold Pinter and Tom Stoppard regarding their employment of the two critical terms used in its title. It provides a new look at the output of the artists in reference to the employment of the grotesque, justifying their classification together with the East European absurdist playwrights.
The monograph deals with chosen aspects of modern drama based on the output of three playwrights. It discusses the works of Beckett, Pinter and Stoppard in reference to their employment of the grotesque and the theatre of the absurd. Elements of the grotesque appear in political dramas of all three playwrights. While Beckett does not shy away from absurdity in his plays, some of the early dramas of Pinter and Stoppard present a general existential condition of man, even though their strictly political plays are basically realistic in respect to form, yet satirical in their content. Most of the political plays discussed portray the absurdity of totalitarian countries, stemming from the tragicomic discrepancy between what the authorities are saying they are doing and their actual actions.
Autor*in
Jadwiga Uchman
Themen in »The Theatre of the Absurd, the Grotesque and Politics«
Absurd Beckett Beckett Grotesque Harold Jadwiga Kocur Mirosław Pinter Pinter political dramas Politics Samuel Stoppard Stoppard