Provides first comprehensive historical account of the 1990s Chinese art wave, encompassing both institutional and aesthetic analyses Offers a new interpretation of the early Sixth Generation Cinema and a correction to the overtly political readings of Chinese art films in some previous scholarly and journalistic discourses Proposes "art film" as a central theoretical concept to films of the period for the first time
Li Yang
Chinese Art Cinema Sixth Generation Cinema New Neorealism New Generation Cinema Global Art Cinema
“The Formation of Art Cinema in China is an important intervention that sheds new light on contemporary Chinese cinema. Li Yang innovatively combines analysis of critical discourses and industrial practices by approaching cinema as a Bourdieuian field. Cutting across conventional divisions between independent and mainstream, she reveals how Chinese filmmakers have drawn inspiration from New Waves around the world and gone on to develop Chinese art cinema’s own distinct character.” (Chris Berry, Professor of Film Studies, King’s College London, UK)
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