New Directions in Music and Human-Computer Interaction
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Beschreibung
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers.
The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers.
The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.
Identifies the latest directions and developments in music interaction and HCI Balances original research with reflections from leading researchers and practitioners Brings together interdisciplinary perspectives, covering a range of musical styles, practices and emerging ways of interacting with music Explores diverse HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts Synthesises the viewpoints of multiple stakeholders: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers
Autor*in
Simon Holland
Themen in »New Directions in Music and Human-Computer Interaction«
Music Interaction Embodied Cognition Physicality Human Computer Interaction Motion Computing Musical haptics