Vertebrate Sound Production and Acoustic Communication
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Beschreibung
Vertebrate Sound Production and Acoustic Communication serves both as a tutorial introduction for newcomers and a springboard for further research for all scientists interested in understanding animal acoustic signals.
- Vertebrate Vocal Production: An Introductory Overview by W. Tecumseh Fitch and Roderick A. Suthers
- Fish Sound Production: An Exaptation? by Eric Parmentier and Michael L. Fine
- Vocal Sound Production and Acoustic Communication in Amphibians and Reptiles by Kaitlen Colafrancesco and Marcos Gridi-Papp
- Locomotion-Induced Sounds and Sonations: Mechanisms,Communication Function, and Relationship with Behavior by Christopher James Clark
- Embodied Motor Control of Avian Vocal Production by Daniel N. Düring and Coen P. H. Elemans
- Biophysics of Vocal Production in Mammalsby Christian T. Herbst
- Infrasonic and Seismic Communication in the Vertebrates with Special Emphasison the Afrotheria: An Update and Future Directions by Peter M. Narins, Angela S. Stoeger, and Caitlin O’Connell-Rodwell
- Vocal Production by Terrestrial Mammals: Source, Filter, and Function by Anna M. Taylor, Benjamin D. Charlton, and David Reby
- Vocal Learning and Auditory-Vocal Feedback by Peter L. Tyack
- Vertebrate Bioacoustics: Prospects and Open Problems by W. Tecumseh Fitch
About the Editors
Roderick A. Suthers is Professor in the Medical Sciences program at Indiana University Bloomington.
W. Tecumseh Fitch is Professor of Cognitive Biology at the University of Vienna.
Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University Chicago.
Arthur N. Popper is Professor Emeritus and Research Professor in the Department of Biology at the University of Maryland, College Park.
About the Series
The Springer Handbook ofAuditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.
Although the fundamental principles of vocal production are well-understood, and are being increasingly applied by specialists to specific animal taxa, they stem originally from engineering research on the human voice. These origins create a double barrier to entry for biologists interested in understanding acoustic communication in their study species. The proposed volume aims to fill this gap, providing easy-to-understand overviews of the various relevant theories and techniques, and showing how these principles can be implemented in the study of all main vertebrate groups. The volume will have eleven chapters assembled from the world's leading researchers, at a level intelligible to a wide audience of biologists with no background in engineering or human voice science. Some will cover sound production in a particular vertebrate group; others will address a particular issue, such as vocal learning, across vertebrate taxa. The book will highlight what is known and how to implement useful techniques and methodologies, but will also summarize current gaps in the knowledge. It will serve both as a tutorial introduction for newcomers and a springboard for further research for all scientists interested in understanding animal acoustic signals.
Aimed at graduate students and postdoctoral investigators, as well as professionals and academics Covers a wide range of taxa and topics Of interest to researchers who study the acoustics, physiology, evolution, or neuroethology of sound production Provides easy to understand overviews of the various relevant theories and techniques related to vocal production in vertebrates Includes supplementary material: sn.pub/extras
Autor*in
Roderick A. Suthers
Themen in »Vertebrate Sound Production and Acoustic Communication«
acoustic signals sonations vocal learning vocal production infrasonic biophysics Model vertebrates