This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offersenticing openings.
This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits bordersand offers enticing openings.
Applies the interdisciplinary topics of liminality and hybridity to American women writers Examines understudied and canonical writers Takes a new historicist approach to deepen the scholarship on gender, genre, and American literature
Kristin J. Jacobson
liminality hybridity multiplicity of voices early American literature nineteenth-century American literature twentieth-century American literature twenty-first-century American literature American women's literature thresholds in literature feminist theory queer theory new historicism
“This collection introduces new and important authors and scholars into an expanded canon of American literature, and it puts more familiar authors and scholars into conversation with them and with each other. All benefit, as will students, teachers, scholars, and other readers.” (Robert Daly, Distinguished Teaching Professor, State University of New York at Buffalo, USA)
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