Hospitality, Rape and Consent in Vampire Popular Culture
Letting the Wrong One In
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Beschreibung
This unique study explores the vampire as host and guest, captor and hostage: a perfect lover and force of seductive predation. From Dracula and Carmilla, to True Blood and The Originals, the figure of the vampire embodies taboos and desires about hospitality, rape and consent. The first section welcomes the reader into ominous spaces of home, examining the vampire through concepts of hospitality and power, the metaphor of threshold, and the blurred boundaries between visitation, invasion and confinement. Section two reflects upon the historical development of vampire narratives and the monster as oppressed, alienated Other. Section three discusses cultural anxieties of youth, (im)maturity, childhood agency, abuse and the age of consent. The final section addresses vampire as intimate partner, mapping boundaries between invitation, passion and coercion. With its fresh insight into vampire genre, this book will appeal to academics, students and general public alike.
This unique study explores the vampire as host and guest, captor and hostage: a perfect lover and force of seductive predation. From Dracula and Carmilla, to True Blood and The Originals, the figure of the vampire embodies taboos and desires about hospitality, rape and consent. The first section welcomes the reader into ominous spaces of home, examining the vampire through concepts of hospitality and power, the metaphor of threshold, and the blurred boundaries between visitation, invasion and confinement. Section two reflects upon the historical development of vampire narratives and the monster as oppressed, alienated Other. Section three discusses cultural anxieties of youth, (im)maturity, childhood agency, abuse and the age of consent. The final section addresses vampire as intimate partner, mapping boundaries between invitation, passion and coercion. With its fresh insight into vampire genre, this book will appeal to academics, students and general public alike.
Offers a fresh and provocative insight not only into vampire genres, but also into anxieties of cultures and societies that produce them Illuminates the role of the vampire as an embodiment of the violent and violated, oppressive and oppressed Other who provokes fear and fascination Focuses on intersecting themes of hospitality, rape and consent in the vampire tradition Includes supplementary material: sn.pub/extras
Autor*in
David Baker
Themen in »Hospitality, Rape and Consent in Vampire Popular Culture«
Vampire culture Vampire romance consent in vampire films Vampire relationships Lesbian vampires Horror romance Hospitality on screen True Blood Buffy Dracula Carmilla rape and consent in film hospitality and power the Other Vampire genre
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“Presents a multitude of perspectives and analyses … . Each writer has a unique outlook with extremely well-supported arguments, with some thought-provoking discussion that stays with you when consuming vampire fiction. A range of texts are analysed, from literature to film to television shows, covering a wide variety of classic and contemporary fiction. The essays all build on previously made points regarding literary vampirism, without rehashing old debates. All-in-all, this volume is a refreshing and provocative read.” (Robin Moon, Journal of Vampire Studies, Vol. 2 (1), 2021)
“With its fresh insight into vampire genre, this book will appeal to academics, students and general public alike. … this proves itself a worthy edition to vampire studies by looking at hospitality (and, of course, invitations), rape and consent and how the vampire film/story examines and explores those concepts.” (Taliesin meets the vampires, taliesinttlg.blogspot.de, December, 2017)
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“The essays in this volume offer astute and complex readings of the vampire legend; they frequently challenge traditional approaches while offering new, original and creative interpretations. What happens when the vampire is the “wrong” one for its victim but potentially the “right” one for the viewer or reader? To what extent is the vampire a catalyst or an agent of transformation, one whose horrific actions challenge the viewer/reader to explore his or her own beliefs, values, fears and fantasies? This is a stimulating and challenging collection that opens up new questions just when we thought that there was very little left that could be said about our troubled relationship with vampires and what might occur when we invite the wrong one in.” (Professor Barbara Anne Creed, University of Melbourne, Australia)
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