This edited collection aims to respond to dominant perspectives on twenty-first-century war by exploring how the events of 9/11 and the subsequent Wars on Terror are represented and remembered outside of the US framework. Existing critical coverage ignores the meaning of these events for people, nations and cultures apparently peripheral to them but which have - as shown in this collection - been extraordinarily affected by the social, political and cultural changes these wars have wrought. Adopting a literary and cultural history approach, the book asks how these events resonate and continue to show effects in the rest of the world, with a particular focus on Australia and Britain. It argues that such reflections on the impact of the Wars on Terror help us to understand what global conflict means in a contemporary context, as well as what its representative motifs might tell us about how nations like Australia and Britain perceive and construct their remembered identities on the worldstage in the twenty-first century. In its close examination of films, novels, memoir, visual artworks, media, and minority communities in the years since 2001, this collection looks at the global impacts of these events, and the ways they have shaped, and continue to shape, Britain and Australia’s relation to the rest of the world.
This edited collection aims to respond to dominant perspectives on twenty-first-century war by exploring how the events of 9/11 and the subsequent Wars on Terror are represented and remembered outside of the US framework. Existing critical coverage ignores the meaning of these events for people, nations and cultures apparently peripheral to them but which have - as shown in this collection - been extraordinarily affected by the social, political and cultural changes these wars have wrought. Adopting a literary and cultural history approach, the book asks how these events resonate and continue to show effects in the rest of the world, with a particular focus on Australia and Britain. It argues that such reflections on the impact of the Wars on Terror help us to understand what global conflict means in a contemporary context, as well as what its representative motifs might tell us about how nations like Australia and Britain perceive and construct their remembered identities on the worldstage in the twenty-first century. In its close examination of films, novels, memoir, visual artworks, media, and minority communities in the years since 2001, this collection looks at the global impacts of these events, and the ways they have shaped, and continue to shape, Britain and Australia’s relation to the rest of the world.
Originality: focuses on the impact of the events of 9/11 outside the US Timeliness: will tap into increased interest in 9/11 (following the fifteenth anniversary in 2016) and the centenaries of both WWI and the Gallipoli landings Breadth of scope: includes contributors from across the literary and cultural studies fields Includes supplementary material: sn.pub/extras Includes supplementary material: sn.pub/extras
Jessica Gildersleeve
terrorism war on terror twenty-first century Western society militarisation Western power collective memory
“The authors shed light on the old/dormant discourses created during the Cold War, and their relationship with the War on Terror, but also present voices illuminating perspectives … This book seeks to articulate these other perspectives, and to explain how the past interrogates the present in contexts of uncertainty and fear. As such it is a must-read project for those with an interest in the role of memory in war and terrorism.” (Maximiliano Emanuel Korstanje,International Journal of Cyber Warfare and Terrorism, Vol. 09 (1), January - March, 2019)