Hip-Hop bei Black Lives Matter-Protesten
Eine theologisch-ethische Auseinandersetzung mit ästhetischen Artikulationsformen in der Öffentlichkeit
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Beschreibung
Hip-Hop is the soundtrack of Black Lives Matter protests, evident in scenes where songs from the genre are played and sung throughout the protests. Max Tretter adopts an interdisciplinary approach to create a framework for precisely assessing the impact of such aesthetic expressions in public and for taking grounded normative positions on them.
Hip-Hop is the soundtrack of Black Lives Matter protests, evident in scenes where songs from the genre are played and sung throughout the protests. Max Tretter adopts an interdisciplinary approach to create a framework for precisely assessing the impact of such aesthetic expressions in public and for taking grounded normative positions on them.
Autor*in
Max Tretter
Geboren 1993; Wissenschaftlicher Mitarbeiter am Lehrstuhl für Systematische Theologie (Ethik) an der Friedrich-Alexander-Universität Erlangen Nürnberg.
Themen in »Hip-Hop bei Black Lives Matter-Protesten«
Systematische Theologie Politische Ethik Black Theology Rassismus Polizeigewalt