When does the addressee of a norm leave the scope of the Broadcasting right (Article 20 of the German Copyright Act) and enter the scope of the right of making available to the public (Article 19a of the German Copyright Act)? Alexander Koof examines the conflict between the two rights and analyzes the extent to which the phenomenon of media convergence affects the classification of new ways of utilization with regard to exploitation rights.
When does the addressee of a norm leave the scope of the Broadcasting right (Article 20 of the German Copyright Act) and enter the scope of the right of making available to the public (Article 19a of the German Copyright Act)? Alexander Koof examines the conflict between the two rights and analyzes the extent to which the phenomenon of media convergence affects the classification of new ways of utilization with regard to exploitation rights.
Alexander Koof
Geboren 1984; Studium der Rechtswissenschaften in Gießen und Bonn; 2014 Promotion; derzeit wissenschaftlicher Mitarbeiter am Lehrstuhl für Bürgerliches Recht, Recht des Geistigen Eigentums und Wettbewerbsrecht der Rheinischen Friedrich-Wilhelms-Universität Bonn.
Urheberrecht Verwertungsrechte Recht der öffentlichen Wiedergabe Verwertung audiovisueller Medien