Toro-Pérez The Performance Practice of Electroacoustic Music

The Performance Practice of Electroacoustic Music

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Beschreibung

This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice.

This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.


Autor*in

Germán Toro-Pérez

Themen in »The Performance Practice of Electroacoustic Music«

Angelica Aufführungspraxis Bennett Dominik Elecroacoustic Electroacoustic Elektroakustische Musik Fonologia Germán Lucas Music Musikgeschichte Pérez Performance Practice

Stimmen zu »The Performance Practice of Electroacoustic Music«

Details

ISBN: 9783034331197
Verlag: Peter Lang Group AG, International Academic Publishers
Erscheinung: 10.09.2018

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