Dancing to the Post-Modern Tune

Beschreibung

Is post-modern society devoid of sacramentality or a sense of the sacred? This question is central to the challenges posed by revolutionary post-modern sensibilities that tend to render the rites for the celebration of the sacraments obsolete and irrelevant. To address this issue, the author applies the post-modern emphasis on plurality and radical particularity to the communal dimension of traditional societies exemplified in the worldview of the Igbo people of Southeast Nigeria to shed light on the liturgical celebration of reconciliation in the Church today. The contention is that the sacraments are multi-vocal symbols that cannot command the same meaning in different contexts. In this connection, this book provides a clear notion of the theological foundation, principle and framework of the sacrament of reconciliation and offers a practical guide for its authentic liturgical celebration in a plural context. Its argument is that all are being summoned to interpersonal encounter through dialogue, or a relationship founded on mutual recognition and respect for difference. On this basis, the book proposes possible reconciliation rites drawn from the Igbo communal existence that have the capacity to accommodate people with other faith perspectives in a common liturgical celebration of the sacrament of reconciliation.

Autor*in

James M. M. Francis

Themen in »Dancing to the Post-Modern Tune«

Dancing Francis Future Igbo Igbo people of Southeast Nigeria James liturgical celebration of the sacrament of reconciliation Modern Okoro People Post Reconciliation reconciliation rites Sacrament Sacrament of Reconciliation

Stimmen zu »Dancing to the Post-Modern Tune«

«I strongly recommend this book to researchers and indeed to anybody interested in understanding how sacraments could be applied to existential life.» (Izunna Okonkwo, East Asian Pastoral Review 49, 2012/1)
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