Art Raised to the Power of Science (art)sci, Volume III
Encasing Silica Aerogel — Molding, Glass Interfaces, and Wearable Skies
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Beschreibung
This image-rich book presents a sustained investigation into encasement and portability in silica aerogel art. It is the third of four related monographs exploring silica aerogel nanoscience through a free-dimensional artistic practice. Moving from molding and metaxy research to celestial ornaments, wearable works, architectural applications, and interdisciplinary collaborations, the volume traces the transformation of silica aerogel from a laboratory sample into a mobile, inhabitable, and culturally meaningful object. Particular attention is given to the nanomaterial’s optical presence, extreme delicateness, and the technical and conceptual challenges of protecting, framing, transporting, and displaying it. Building upon developments at MIT and experiments associated with NASA/JPL, the book demonstrates how encasement becomes not merely a practical solution but an integral artistic language, allowing this elusive material to move beyond the laboratory and enter the worlds of the body, architecture, design, and public culture.
- Develops mythomethodology: a structured haptic research method for working with aerogel’s fragility and optical shift
- Demonstrates masks and vessels as functional interfaces (handling protocols, contamination risk, perception-by-touch)
- Connects encounter design (haptic/ritual/performance logics) to aerogel microstructure, care, and display conditions
This image-rich book presents a sustained investigation into encasement and portability in silica aerogel art. It is the third of four related monographs exploring silica aerogel nanoscience through a free-dimensional artistic practice. Moving from molding and metaxy research to celestial ornaments, wearable works, architectural applications, and interdisciplinary collaborations, the volume traces the transformation of silica aerogel from a laboratory sample into a mobile, inhabitable, and culturally meaningful object. Particular attention is given to the nanomaterial’s optical presence, extreme delicateness, and the technical and conceptual challenges of protecting, framing, transporting, and displaying it. Building upon developments at MIT and experiments associated with NASA/JPL, the book demonstrates how encasement becomes not merely a practical solution but an integral artistic language, allowing this elusive material to move beyond the laboratory and enter the worlds of the body, architecture, design, and public culture.
Develops mythomethodology: a structured haptic research method for working with aerogel’s fragility and optical shift Demonstrates masks and vessels as functional interfaces (handling protocols, contamination risk, perception-by-touch) Connects encounter design (haptic/ritual/performance logics) to aerogel microstructure, care, and display conditions
Autor*in
Ioannis Michaloudis
Themen in »Art Raised to the Power of Science (art)sci, Volume III«
Nanomaterials Aerogels Quantum Dots Nanocarbons Bionanotechnology Energy Capture Visual Properties of nanomaterials Nano display media Nanomaterials in art Societal effects of nanotechnology Nano-media Nanotechnology in display Haptic encounters