Artificial Creativity II
Images, Imaginaries, and Interfaces for the Digital Humanities
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Beschreibung
This edited volume brings together papers dedicated to exploring how creative languages—visual, sonic, and textual—reshape knowing, learning, and imagining. It collects a selection of the best papers submitted for the 2nd Artificial Creativity meeting help in 2025. At the intersection of Digital Humanities, education, and the arts, this volume highlights how images, sounds, and words can act as active mediators and fosters the processing of self-representation, reflection, and transformation. From photography as a performative practice to experimental sound production and literary imagination, the chapters trace an expanded ecology of knowledge where embodied experience, artistic research, and digital technologies converge. What emerges is a plurality and multisensory vision of cultural and educational practices in which creativity becomes a form of agency and a catalyst for new imaginaries. This book invites scholars, educators, and practitioners to re-think the role of the arts in contemporary research and learning, showing how performativity, presence, and narration can redefine the relationship between individuals, communities, and technology.
This edited volume brings together papers dedicated to exploring how creative languages—visual, sonic, and textual—reshape knowing, learning, and imagining. It collects a selection of the best papers submitted for the 2nd Artificial Creativity meeting help in 2025. At the intersection of Digital Humanities, education, and the arts, this volume highlights how images, sounds, and words can act as active mediators and fosters the processing of self-representation, reflection, and transformation. From photography as a performative practice to experimental sound production and literary imagination, the chapters trace an expanded ecology of knowledge where embodied experience, artistic research, and digital technologies converge. What emerges is a plurality and multisensory vision of cultural and educational practices in which creativity becomes a form of agency and a catalyst for new imaginaries. This book invites scholars, educators, and practitioners to re-think the role of the arts in contemporary research and learning, showing how performativity, presence, and narration can redefine the relationship between individuals, communities, and technology.
Contains global and multidisciplinary contemporary work on computational creativity Chapters reviewed and selected by the academic board of the conference Reveals how AI might help open new artistic frontiers and means of cultural production
Autor*in
Alessandra Micalizzi
Themen in »Artificial Creativity II«
Cultural Impact New Media Studies Digital Art Visual Studies Sound Studies Computational Creativity Pedagogy of AI Imagery Image Production Creative Media Narrative Production Social Psychology