The Dependent Film Distributor
Entrepreneurship and Marketing in Cinema Releasing
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Beschreibung
This book examines the intricate role of the specialty film distributor, focusing on the unique dependence under which they operate in the UK and Ireland. Drawing from the author's own experiences as a film distributor, it provides an insider's perspective on the strategies employed to release specialty films in a competitive market. The Dependent Film Distributor is a pioneering work that delves into the under-explored field of UK and Ireland specialty film distribution. Unlike existing practice handbooks, this monograph offers empirically grounded insights, making it a vital contribution to the literature on film distribution and entrepreneurship. The book addresses critical questions such as: How do distributors navigate the challenges of releasing specialty films? What impact has the pandemic had on distribution strategies? Through expert analysis, readers will uncover the nuanced dynamics of film releasing, enriched by the author's firsthand knowledge and up-to-date research. This book is essential for scholars, researchers, and practitioners in film studies, media, and entrepreneurship. It offers valuable insights for anyone interested in the complexities of film distribution, providing a comprehensive understanding of the sector's current landscape. Whether you're a student, academic, or industry professional, this book is a must-read for those seeking to grasp the intricacies of specialty film distribution in the UK and Ireland.
Frank Mannion is an award-winning filmmaker and founder of Swipe Films. He produced Grand Theft Parsons starring Johnny Knoxville and Christina Applegate for MGM and Jackboots on Whitehall with Ewan McGregor, Rosamund Pike and Richard E. Grant for Sony Pictures. Mannion directed Sparkling: The Story of Champagne (2021) with Stephen Fry, described as “a valentine to French bubbly” by the The New York Times. He directed and produced Quintessentially British (2022) starring Ian McKellen and Judi Dench, which the Evening Standard described as “delightful,” and Quintessentially Irish (2024) with Pierce Brosnan and Jeremy Irons, which The Sunday Times called “fast paced and highly entertaining". He is a law graduate of Trinity College Dublin and the University of Cambridge and holds a PhD from Birmingham City University, where he is also Senior Lecturer in Film and Entrepreneurship. He has written for The Cambridge Law Journal, The Sunday Times, The Times, The Daily Mail, Conde Nast Traveller and The Entertainment Law Review.
This book examines the intricate role of the specialty film distributor, focusing on the unique dependence under which they operate in the UK and Ireland. Drawing from the author's own experiences as a film distributor, it provides an insider's perspective on the strategies employed to release specialty films in a competitive market. The Dependent Film Distributor is a pioneering work that delves into the under-explored field of UK and Ireland specialty film distribution. Unlike existing practice handbooks, this monograph offers empirically grounded insights, making it a vital contribution to the literature on film distribution and entrepreneurship. The book addresses critical questions such as: How do distributors navigate the challenges of releasing specialty films? What impact has the pandemic had on distribution strategies? Through expert analysis, readers will uncover the nuanced dynamics of film releasing, enriched by the author's firsthand knowledge and up-to-date research. This book is essential for scholars, researchers, and practitioners in film studies, media, and entrepreneurship. It offers valuable insights for anyone interested in the complexities of film distribution, providing a comprehensive understanding of the sector's current landscape. Whether you're a student, academic, or industry professional, this book is a must-read for those seeking to grasp the intricacies of specialty film distribution in the UK and Ireland.
Written by a leading academic-practitioner with more than 20 years of experience in film distribution Considers the impact of tech companies and streamers on theatrical releases Advances the concept of dependence to define the work of specialty film distributors
Autor*in
Frank Mannion
Themen in »The Dependent Film Distributor«
film distribution entrepreneurship film production experimental marketing immersive cinema independent film transnational partnerships producer-distributor