The European Union as a Global Film Enabler
Rethinking Power, Competitiveness and Identity
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Beschreibung
This Open access book explores the intricate dynamics of the global politics and economy of film, focusing on the European Union's potential as a cultural powerhouse. As cinema remains one of Europe's most cherished cultural activities, the EU's film industry stands at a crossroads, poised to redefine its role on the international stage. Key concepts addressed in this volume include the EU's audiovisual regulations, the perceptions of European and non-European film professionals, and the reception of European films by global audiences. The book critically examines the EU's capacity to act as a global film enabler, counterbalancing the dominance of Hollywood and US-based streaming platforms. Through contributions from renowned scholars and insights from Horizon Europe projects, readers are invited to consider the EU's strategic potential in fostering cultural diversity and shaping global audiovisual governance. This book is essential for scholars, policymakers, and industry professionals interested in the intersection of film, power dynamics, and international cultural relations. It offers a comprehensive analysis of the EU's evolving role in the global film industry, providing valuable insights into its future as a cultural, economic and geo-political actor.
Antonios Vlassis is Associate Professor of International Cultural Relations at the Department of Political Science, University of Liège and Senior Researcher at the Center for International Relations Studies (CEFIR), University of Liège. Mafalda Dâmaso is Part-time Professor at the Robert Schuman Centre for Advanced Studies, European University Institute. Katharine Sarikakis is Full Professor of Media Governance, Media Industries and Media Organisation at the Department of Communication, University of Vienna and the Director of the Media Governance Research Lab. Heritiana Ranaivoson is Research Professor at imec-SMIT-Vrije Universiteit Brussel. Marina Rossato Fernandes is Researcher at the Center for International Relations Studies (CEFIR), Department of Political Science, University of Liège.
This book explores the intricate dynamics of the global politics and economy of film, focusing on the European Union's potential as a cultural powerhouse. As cinema remains one of Europe's most cherished cultural activities, the EU's film industry stands at a crossroads, poised to redefine its role on the international stage. Key concepts addressed in this volume include the EU's audiovisual regulations, the perceptions of European and non-European film professionals, and the reception of European films by global audiences. The book critically examines the EU's capacity to act as a global film enabler, counterbalancing the dominance of Hollywood and US-based streaming platforms. Through contributions from renowned scholars and insights from Horizon Europe projects, readers are invited to consider the EU's strategic potential in fostering cultural diversity and shaping global audiovisual governance. This book is essential for scholars, policymakers, and industry professionals interested in the intersection of film, power dynamics, and international cultural relations. It offers a comprehensive analysis of the EU's evolving role in the global film industry, providing valuable insights into its future as a cultural, economic and geo-political actor.
This book is open access, which means that you have free and unlimited access Combines approaches that are either underexplored or examined separately in existing volumes Examines the broad geopolitical political role that European film and, through it, the European Union plays in the world Based on top-down (policies) and bottom-up (industrial) evidence, considers the role of film in EU’s global actorness
Autor*in
Antonios Vlassis
Themen in »The European Union as a Global Film Enabler«
Open Access European Union EU VoD platforms film industry Hollywood audiovisual geopolitics media policy