Vikram Seth’s Poetics of Pastiche

Beschreibung

Vikram Seth is a critical enigma. He is recognized as one of the most important Indian Anglophone authors of his generation; his individual works have been widely reviewed, yet his work has rarely been approached as a whole and remains surprisingly understudied. Perhaps the chief reason for the paucity of critical response to the full compass of Seth’s work is his disregard for intellectual fashion. Indeed, Seth is at once very popular and deliberately unfashionable. His literary affiliations are conservative; seemingly uninterested in any revisionary narrative, he is equally unconcerned by the interpenetration of cultures in our globalized world, representing assimilation rather than cultural difference. He defies the expectations of both postcolonial and world literature; therefore, to discuss his critical neglect is to shed light on the limitations of these labels. As the most thorough attempt to map a general poetics in Seth’s work, this study – the first of its kind on this writer– develops a new critical methodology to capture the nuances of Seth’s literary strategies. It provides scholars and students insight into the key features of Seth’s work and uncovers a consistent authorial strategy running through his seemingly disconnected body of work, namely a systematic use of intertextual practices.

Mélanie Heydari is a lecturer in the Department of French and Comparative Literature of Barnard College, Columbia University, USA. 

Vikram Seth is a critical enigma. He is recognized as one of the most important Indian Anglophone authors of his generation; his individual works have been widely reviewed, yet his work has rarely been approached as a whole and remains surprisingly understudied. Perhaps the chief reason for the paucity of critical response to the full compass of Seth’s work is his disregard for intellectual fashion. Indeed, Seth is at once very popular and deliberately unfashionable. His literary affiliations are conservative; seemingly uninterested in any revisionary narrative, he is equally unconcerned by the interpenetration of cultures in our globalized world, representing assimilation rather than cultural difference. He defies the expectations of both postcolonial and world literature; therefore, to discuss his critical neglect is to shed light on the limitations of these labels. As the most thorough attempt to map a general poetics in Seth’s work, this study – the first of its kind on this writer– develops a new critical methodology to capture the nuances of Seth’s literary strategies. It provides scholars and students insight into the key features of Seth’s work and uncovers a consistent authorial strategy running through his seemingly disconnected body of work, namely a systematic use of intertextual practices.

Autor*in

Mélanie Heydari

Themen in »Vikram Seth’s Poetics of Pastiche«

Vikram Seth Postcolonial Literature Intertextuality Pastiche Race Music Eurocentrism Poetics

Stimmen zu »Vikram Seth’s Poetics of Pastiche«

“Mélanie Heydari’s beautifully written and highly readable critical study of Vikram Seth’s oeuvre is as far from scholarly exhaustion as can be imagined. What shines through is an abiding love for this wonderful and supremely versatile author … . I found the book very lively, erudite, and enjoyable, and clearly a labour of love. It is sure to save future scholars and dissertationists embarking on a study of his work any potential exhaustion.” (Neelam Srivastava, Interventions - International Journal of Postcolonial Studies, November 6, 2025) 

Details

Link teilen