Handbook of Materials for Percussion Musical Instruments

Beschreibung

This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments—timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.

This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments—timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.

Describes the properties of materials used for making percussion instruments Covers percussion instruments of the symphony orchestras Special chapter devoted to bells

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Materials science Percussion Musical Instruments properties of materials classical music symphony orchestra instruments

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“This book contains new features … and is of great interest for the musical acoustics community. … Another appreciable specificity of the book is the high number of clear pictures and figures of wonderful quality … . this book is a compulsory starting point for any future research on percussion instruments, and should be usefully associated with other books and publications more specialized in physical modeling. The references are extensive and beyond the usual references lists in musical acoustics.” (Antoine Chaigne, EAA Newsletter Nuntius, euracoustics.org, January-February, 2023)
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