Jeliya at the Crossroads
Learning African Wisdom through an Embodied Practice
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Beschreibung
This book describes the remarkable culture of jeliya, a musical and verbal art from the Manding region of West Africa. Using an embodied practice as her methodology, the author reveals how she and her music teachers live “in between” local and global cultures. Her journey spans 20 years of fieldwork presented through personal and intimate stories, first as a student of the balafon instrument, then as a patron of the music. Tensions build in both the music and in social relations that require resolutions, underscoring the differences between two world views. Through balafon lessons, the author embodies values such as patience, courage, and generosity, resulting in a transformative practice that leads her to better understand her position vis-à-vis that of her jeli teachers. Meanwhile, jeliya itself, despite having been transmitted from teacher to student for 800 years, is currently in peril. Jelis cite modern globalized culture and people like the author herself as both a source of the problem as well as the potential solution.
This book describes the remarkable culture of jeliya, a musical and verbal art from the Manding region of West Africa. Using an embodied practice as her methodology, the author reveals how she and her music teachers live “in between” local and global cultures. Her journey spans 20 years of fieldwork presented through personal and intimate stories, first as a student of the balafon instrument, then as a patron of the music. Tensions build in both the music and in social relations that require resolutions, underscoring the differences between two world views. Through balafon lessons, the author embodies values such as patience, courage, and generosity, resulting in a transformative practice that leads her to better understand her position vis-à-vis that of her jeli teachers. Meanwhile, jeliya itself, despite having been transmitted from teacher to student for 800 years, is currently in peril. Jelis cite modern globalized culture and people like the author herself as both a source of the problem as well as the potential solution.
Presents a new perspective on the well-studied Mande region of West Africa Engages in a reflexive, embodied, and sensorial ethnography Provides a case study on apprenticeship and embodiment as a growing fieldwork technique
Autor*in
Lisa Feder
Themen in »Jeliya at the Crossroads«
jaliya anthropology of art global culture pedagogy oral tradition mande West Africa embodiment reflexivity traditional art Griots Mande Music Ethnography Embodied ethnography Gambia
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In a stunning achievement of literary ethnography, Lisa Feder guides us into world of music, the sonorities of which reveal the cultural centrality of music in ever-changing West African social life. Jeliya at the Crossroads is a book with soul that will be read and debated for many years to come.—Paul Stoller, author of Yaya's Story: The Quest for Well-Being in the World (2014)
In this absorbing, readable ethnography/memoir spanning the Gambia, Guinea, Paris, New York City, and beyond, Feder gives us a 21st century perspective on an alluring subject: West African Mande music culture. Candidly exploring issues of diaspora, gender, apprenticeship and patronage, morality and character, privilege and status, Feder enhances the literature of West African music. Required reading for anyone wishing to learn Mande griot (jeli) music.—Banning Eyre, Senior Producer for Afropop Worldwide
“Ethnographic accounts of first contact and subsequent participant-observation typically focus on cultural institutions such as language, marriage, and kinship of the Other; Lisa Feder offers a refreshing auto-ethnography of her lengthy experiential learning about Mande people and culture through their music in Guinea, The Gambia, New York City, and Paris.”
—Barbara Hoffman, Professor and Director of Anthropology, Cleveland State University, USA
"Lisa Feder’s decades-long study of Manding jelis plying their musical art and wisdom traces their struggle to navigate between cultures. This is an example of how ethnography ought to be—a narrative of how becoming deeply entwined changes everyone involved. Feder fearlessly examines her own in-betweenness, grappling with vestigial traces of anthropology’s unwitting colonialist past. This engagingly written book overflows with mutual love and respect. A potent read."
—Steven F. Pond, author of Head Hunters: The Making of Jazz’s First Platinum Album
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