An Economic Approach to the Plagiarism of Music
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Beschreibung
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business.
These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business.
These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
Explores the economic analysis of plagiarism in music Disentangles the economic, legal, ethical and social efficiency aspects of music plagiarism Discusses key modern cases, in the post rock and roll era, from the viewpoint of law and economics Debates ‘free for all’ proposals thoroughly in a way that has not yet been done Focuses on the deep rooted eternal problems of the commodification of supposed originality in music
Autor*in
Samuel Cameron
Themen in »An Economic Approach to the Plagiarism of Music«
Music Plagiarism Economics of Music Economic model of production Property rights Social efficiency Composition plagiarism Sampling plagiarism Originality in music Rational choice economics