Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how images work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures.
Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how images work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures.
Includes scholarship on visual media and human rights alongside reflections by human rights practitioners
Demonstrates how visual images shape cultural, political and legal understandings of human rightsFeatures contributions from the former image analyst at Amnesty International, the program director of WITNESS, the founder of the Eyewitness Media Hub and First Draft's executive director, the former head of the Outreach office of the International Criminal Tribunal for the former Yugoslavia (ICTY), a former judge at the Constitutional Court of South Africa and an award-winning documentary filmmaker
Sandra Ristovska
film human rights media political social visual culture