This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics.
The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.
Brings together an international team of East-West top scholars in phenomenological aesthetics
Covers the great varieties of artistic experience from first hand phenomenological descriptions
Offers a global perspective on the topic
Kwok-Ying Lau
Aesthetic attitude Phenomenology of architecture Phenomenology of drama Phenomenology of painting Phenomenology of photography Phenomenology of poetry Phenomenology of the arts Phenomenology of the imaginary Phenomenology of urban aesthetics Zhu Guangqian Husserlian Account of the Power of the Imaginary Heidegger’s ‘Origin of the Work of Art’ Aisthesis and Logos Qianlong Di Kandinsky and the Multi-Dimensionality of Colors
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