Cultural Diversity in the French Film Industry
Defending the Cultural Exception in a Digital Age
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Beschreibung
This is the first book to examine whether France’s ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age. It questions whether the arrival of new players such as Apple and Netflix makes defence impossible, and whether an explosion in the number of films available makes policies for cultural promotion increasingly unnecessary. The book takes a critical look at French film policy to establish whether it promotes cultural diversity across cinema and video on demand and the implications for ongoing defence of the cultural exception. Sarah Walkley ultimately makes the case for a more disciplined approach to discussion of the cultural exception and cultural diversity in France supporting ideological arguments about competition, freedom of expression, consumer choice and national identity with concrete evidence of the success of French policies in countering US film market dominance.
Charts how French film policy has evolved to adapt to the advent of digital distribution Considers whether the cultural exception is justifiable in the digital age Identifies why trade in film still represents a stumbling block for international negotiations
Autor*in
Sarah Walkley
Themen in »Cultural Diversity in the French Film Industry«
French culture French film French policy Cultural diversity Cultural Exception Foreign Language Film European Film
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“French and European film scholars alike will find this book useful, as will those seeking a thorough view of the French film industry’s principles and practices from the beginning of cinema to the digital age.” (Anna V. Keefe, Studies in 20th & 21st Century Literature STTCL, Vol. 43 (2), 2019)
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