Arnheim, Gestalt and Media
An Ontological Theory
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Beschreibung
This monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seekto address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.
Offers a powerful defense of media difference using a non-essential approach to ontology
Features an innovative marriage of Gestalt psychology and Austrian ontology
Presents an important theory of media developed by psychologist Rudolf Arnheim, a famous early critic and theorist of film and radio
Offers a powerful defense of media difference using a non-essential approach to ontology Features an innovative marriage of Gestalt psychology and Austrian ontology Presents an important theory of media developed by psychologist Rudolf Arnheim, a famous early critic and theorist of film and radio
Autor*in
Ian Verstegen
Themen in »Arnheim, Gestalt and Media«
Roman Ingarden Rudolf Arnheim Two Elementary Classes of Aesthetic Objects Defining Difference in Media Media Ontology What is a Medium Spatial and Temporal Modalities Ontology of the Individual Media Artistic Composites Medial Differentiation Ontology of Renaissance Realism 20th Century Animation and the Concretization of Make-Believe Presence and Virtual Reality