Musical Revolutions in German Culture
Musicking against the Grain, 1800-1980
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Beschreibung
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Autor*in
M. Hall
Themen in »Musical Revolutions in German Culture«
Friedrich Schlegel Romanticism Theodor W. Adorno culture philosophy revolution
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“Hall’s book is engaging, stimulating and generative. … Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians—or better, ‘destructive musickers’—in their own right. … Musical Revolutions is a compelling and well-crafted provocation for future scholars to ‘Bring the Noise.’” (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016)
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