Memory and Imagination in Film
Scorsese, Lynch, Jarmusch, Van Sant
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Beschreibung
Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.
Autor*in
P. Lombardo
Themen in »Memory and Imagination in Film«
Memory imagination cinephilia Baudelaire Scorsese Jarmusch Van Sant Lynch long takes realism hallucination painting history simulation spectators' participation