Producing British Television Drama

Beschreibung

This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements—the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribingvalue to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.
This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements—the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribing value totelevision drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.
Includes more than twenty interviews with senior TV executives, independent production companies, trade unions, training providers, talent agents and individual TV workers Focuses on drama production at a national, regional and local level Brings together a number of key debates in media relating to television industries, cultural production, place-branding, policy-making, labour and the geographies of creativity

Autor*in

Ruth McElroy

Themen in »Producing British Television Drama«

distribution public service broadcasting genre cultural policy branding TV BBC co-production crime drama Doctor Who tourism Game of Thrones place screen agencies Brexit

Stimmen zu »Producing British Television Drama«

“McElroy and Noonan offer an eloquent and persuasive defence of PSB. … This is a timely, well-argued analysis of the ecology of contemporary television that, in exploring and championing the ‘local’ in drama production, has much to add to current debates.” (Stephen Lacey, Critical Studies in Television, Vol. 15 (2), 2020)

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