Can comics be documentary, and can documentary take the form of, and thus be, comics? Examining comics as documentary, this book challenges the persistent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary ambition to visually narrate and represent aspects and events of the real world.
Can comics be documentary, and can documentary take the form of, and thus be, comics? Examining comics as documentary, this book challenges the persistent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary ambition to visually narrate and represent aspects and events of the real world.
Nina Mickwitz
Comics documentary documentary representation subjectivity graphic narrative argue cluster Comic culture history history of literature media studies memory social science truth
"Documentary Comics presents a vital young voice in Comics Studies that brings a welcomed and fresh interdisciplinary approach to the study of graphic narrative." - José Alaniz, author of Death, Disability, and the Superhero: The Silver Age and Beyond
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"Documentary Comics presents a vital young voice in Comics Studies that brings a welcomed and fresh interdisciplinary approach to the study of graphic narrative." - José Alaniz, author of Death, Disability, and the Superhero: The Silver Age and Beyond
()