Fairytale and Gothic Horror
Uncanny Transformations in Film
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Beschreibung
This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book’s core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; ‘the uncanny’ and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films.
This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book’s core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; ‘the uncanny’ and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films.
Explores the links and divergences between fairytale and gothic horror as they are conveyed in film Examines fairytale horror, motifs and themes – positioned within a cinematic context Locates a distinctively cinematic gothic horror, a concept that both draws on and is distinct from literary and other artistic forms Analyses the cultural and political functions of fairytale and gothic horror, and the levels of subversion or social conformity at the heart of the films
Autor*in
Laura Hubner
Themen in »Fairytale and Gothic Horror«
Little Red Riding Hood fairy tale werewolf Pan’s Labyrinth Let the Right One In Rebecca The Company of Wolves Hitchcock Angela Carter Cinema Uncanny films Gothic Horror Fairytale
Stimmen zu »Fairytale and Gothic Horror«
“Fairytale and Gothic Horror is useful to readers who want to discuss horror as a manifestation of psychology, time, place, and circumstances, as well as those interested in horror-film trends. It would make an excellent outline for a course in gothic cinema and a good supplemental read for a course in cinematic adaptations of fairy tales.” (Cory Thomas Hutcheson, Marvels & Tales: Journal of Fairy-Tale Studies, Vol. 33 (1), 2019)
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“Hubner’s lively and engaging work provides a vital re-examination of fairy tale and the gothic in cinema. The central contexts are explored authoritatively and in detail, taking in diverse fields of criticism, history and theory. These debates are framed around precise studies of key films, with the author’s skilful close analysis illuminating wider themes. This book represents numerous achievements and will be essential reading for anyone interested in fantasy, horror and film.” (James Walters, Head of Film and Creative Writing, University of Birmingham, UK)
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