This book examines some of the most significant recent developments in film and critical theory. The book is divided into four sections, each dealing with established and alternative critical concepts and approaches. These four are: The Gaze and Subjectivity; Film and Discourse; Film and Culture; Film and Meaning. Each of these topics is explored using concepts from post-structuralism and postmodernism, working towards the idea that the relationship between film studies and critical theory is a vital and diverse interplay of rich and exciting ideas.
Addresses exciting new ways of thinking about film not tackled by existing texts
Organised around engaging topics, such as love, terror, the gaze, the body, passion and revenge
Covers theoretical perspectives as diverse as feminism, psychoanalysis, philosophy, semiotics and cultural theory
A vast range of films are cited as examples to illustrate critical concepts and arguments, supported by a filmography containing brief synopses at the back of the book
Contains a glossary of key terms and concepts
Patrick Fuery
body concept corpus culture discourse film film theory genre idea ideology play pluralism post-structuralism structuralism subject